{"id":9910,"date":"2018-02-15T15:56:14","date_gmt":"2018-02-15T14:56:14","guid":{"rendered":"https:\/\/www.wellenklaenge.at\/kuenstlerinnen-2021\/die-knoedel-at-2-2\/"},"modified":"2021-07-19T14:06:58","modified_gmt":"2021-07-19T12:06:58","slug":"die-knoedel-at-2-2","status":"publish","type":"page","link":"http:\/\/2021.wellenklaenge.at\/en\/kuenstlerinnen-2021\/die-knoedel-at-2-2\/","title":{"rendered":"Die Knoedel (AT)"},"content":{"rendered":"<p><\/p>\n<p>[vc_row parallax=&#8221;content-moving-fade&#8221; css=&#8221;.vc_custom_1518453225167{padding-top: 80px !important;}&#8221;][vc_column]<div class=\"vl-image-with-caption\" style=\"margin-bottom: 0px;\"><img src=\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Knoedel_01.jpg\" alt=\"\"><\/div>[vc_column_text]<\/p>\n<p style=\"text-align: right; font-size: 10px;\">\u00a9 Lukas Beck<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1519331622923{padding-top: 60px !important;padding-bottom: 80px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;]<h3 class=\"vl-custom-title vl-text-left\" style=\"margin-bottom:30px; margin-top:0px; padding-bottom: 10px; padding-top:0px; color:#111111; letter-spacing:3px;\">Die Knoedel (AT) <span class=\"vl-custom-title--line vl-custom-title--line-small\" style=\"background-color:#eeeeee;\"><\/span><\/h3>[vc_column_text css=&#8221;.vc_custom_1614848034291{padding-right: 50px !important;}&#8221;]We can marvel here \u2013 after a break of 17 years \u2013 at the sonorous reunion of a band which made waves worldwide in the 1990s. The octet used wind, string and plucked instruments to marry Alpine folk music with Stravinsky, Weill or Rota \u2013 this is more or less how it was described back then. In any case, the musicians thought well outside of the box (of dumplings). Since then, they have enjoyed international careers in both early and contemporary music. Christof Dienz, their musical mastermind, called them into the studio several months ago. Everyone came. The author Felix Mitterer, known for his stage plays and film scripts, describes the result thus: \u201cThis music is like a dream I once had in Ireland. (The day was already dawning, the shutters were closed). A wave, slowly pulsating, suffused my body, soft and cool, more soothing than anything ever before, somehow blue, phosphorescent \u2013 and I took off, into infinity.\u201d[\/vc_column_text][vc_column_text]<span style=\"color: #5b8eb4;\"><a style=\"color: #5b8eb4;\" href=\"http:\/\/www.dienz.at\/die-knoedel\" target=\"_blank\" rel=\"noopener\">www.dienz.at\/die-knoedel<\/a><\/span>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column parallax=&#8221;content-moving-fade&#8221; css_animation=&#8221;fadeInDown&#8221; width=&#8221;1\/3&#8243;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1519331451778{padding-top: 5px !important;}&#8221;][vc_column_text]<\/p>\n<h4>FRI<br \/>\n23.7.2021<br \/>\n7:00 p.m.<\/h4>\n<p>[\/vc_column_text][vc_btn title=&#8221;buy tickets&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#5b8eb4&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; link=&#8221;url:https%3A%2F%2Fwww.wellenklaenge.at%2Fausverkauft-die-knoedel-2%2F||target:%20_blank|&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;15px&#8221;][vc_separator color=&#8221;custom&#8221; align=&#8221;align_left&#8221; el_width=&#8221;10&#8243; accent_color=&#8221;#5b8eb4&#8243;][vc_empty_space height=&#8221;15px&#8221;][vc_column_text]line up:<\/p>\n<dl>\n<dt>Catherine Aglibut<\/dt>\n<dd>violin<\/dd>\n<dt>Margret K\u00f6ll<\/dt>\n<dd>Triple harp<\/dd>\n<dt>Alexandra Dienz<\/dt>\n<dd>double bass<\/dd>\n<dt>Michael \u00d6ttl<\/dt>\n<dd>guitar<\/dd>\n<dt>Walter Seebacher<\/dt>\n<dd>Clarinet, dulcimer<\/dd>\n<dt>Andreas Lackner<\/dt>\n<dd>Trumpet, flugelhorn, dulcimer, glockenspiel<\/dd>\n<dt>Charlie Fischer<\/dt>\n<dd>Haimophon, wooden roaring, wine bottles, dulcimer, glockenspiel, drum set<\/dd>\n<dt>Christof Dienz<\/dt>\n<dd>Bassoon, zither<\/dd>\n<\/dl>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row parallax=&#8221;content-moving-fade&#8221; css=&#8221;.vc_custom_1518453225167{padding-top: 80px !important;}&#8221;][vc_column][vc_column_text] \u00a9 Lukas Beck [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1519331622923{padding-top: 60px !important;padding-bottom: 80px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1614848034291{padding-right: 50px !important;}&#8221;]We can marvel here \u2013 after a break of 17 years \u2013 at the sonorous reunion of a band which made waves worldwide in the 1990s. The octet used wind, string and plucked instruments to marry Alpine folk music with Stravinsky, Weill or &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9774,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9910"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9910"}],"version-history":[{"count":10,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9910\/revisions"}],"predecessor-version":[{"id":10722,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9910\/revisions\/10722"}],"up":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}