![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/03\/Anja-Kirig.jpg\")
<\/div>[\/vc_column][vc_column width=”1\/2″]Anja Kirig (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates the trends and developments in an illustrative and true-to-life manner.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Knoedel_01.jpg\")
\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″] Die Knoedel (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 23.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”We can marvel here \u2013 after a break of 17 years \u2013 at the sonorous reunion of a band which made waves worldwide in the 1990s. The octet used wind, string and plucked instruments to marry Alpine folk music with Stravinsky, Weill or Rota \u2013 this is more or less how it was described back then.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/05\/EDuni.jpg\")
\u00a9 Cl\u00e9ment Puig<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Elina Duni (ALB)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 22.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Elina Duni has already released two albums with her jazz quartet, for both of which they have received rave reviews. Now she has broken new ground and with \u201cPartir\u201d she has recorded a completely solo album for the first time.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Stewart_01.jpg\")
\u00a9 Maria Frodl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″] Emily Stewart (UK)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Anatomy of melancholy is the debut project of Costa-Rican\/British violinist Emily Stewart. It is based on the 17th century book of the same name by English writer Robert Burton, a classic literary work that explores melancholy from a psychological, historical, and philosophical point of view.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/06\/Kreye-1.jpg\")
\u00a9 Gudrun Kreye<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Gudrun Kreye (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the course of the discussions about euthanasia in Austria, the tasks of palliative medicine always play a central role. Gudrun Kreye is one of the leading palliative medicine specialists in Austria. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2020\/03\/wittmann-2.jpg\")
\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/06\/Kaup.jpg\")
\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Matteo_01.jpg\")
\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/06\/Speer.jpg\")
\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Millycent_01.jpg\")
\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Clementine_01.jpg\")
\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2020\/03\/Opas-Dirndl.jpg\")
\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2020\/03\/Muthspiel-2.jpg\")
\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/03\/Scheibbser-3er_01.jpg\")
\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Schmusechor_01.jpg\")
\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Sketchbook_01.jpg\")
\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2021\/02\/Parisini_01.jpg\")
\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Die Knoedel (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 23.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”We can marvel here \u2013 after a break of 17 years \u2013 at the sonorous reunion of a band which made waves worldwide in the 1990s. The octet used wind, string and plucked instruments to marry Alpine folk music with Stravinsky, Weill or Rota \u2013 this is more or less how it was described back then.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Cl\u00e9ment Puig<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Elina Duni (ALB)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 22.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Elina Duni has already released two albums with her jazz quartet, for both of which they have received rave reviews. Now she has broken new ground and with \u201cPartir\u201d she has recorded a completely solo album for the first time.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Maria Frodl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″] Emily Stewart (UK)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Anatomy of melancholy is the debut project of Costa-Rican\/British violinist Emily Stewart. It is based on the 17th century book of the same name by English writer Robert Burton, a classic literary work that explores melancholy from a psychological, historical, and philosophical point of view.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Gudrun Kreye<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Gudrun Kreye (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the course of the discussions about euthanasia in Austria, the tasks of palliative medicine always play a central role. Gudrun Kreye is one of the leading palliative medicine specialists in Austria. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Elina Duni (ALB)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 22.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Elina Duni has already released two albums with her jazz quartet, for both of which they have received rave reviews. Now she has broken new ground and with \u201cPartir\u201d she has recorded a completely solo album for the first time.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Maria Frodl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″] Emily Stewart (UK)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Anatomy of melancholy is the debut project of Costa-Rican\/British violinist Emily Stewart. It is based on the 17th century book of the same name by English writer Robert Burton, a classic literary work that explores melancholy from a psychological, historical, and philosophical point of view.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Gudrun Kreye<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Gudrun Kreye (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the course of the discussions about euthanasia in Austria, the tasks of palliative medicine always play a central role. Gudrun Kreye is one of the leading palliative medicine specialists in Austria. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Emily Stewart (UK)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Anatomy of melancholy is the debut project of Costa-Rican\/British violinist Emily Stewart. It is based on the 17th century book of the same name by English writer Robert Burton, a classic literary work that explores melancholy from a psychological, historical, and philosophical point of view.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Gudrun Kreye<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Gudrun Kreye (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the course of the discussions about euthanasia in Austria, the tasks of palliative medicine always play a central role. Gudrun Kreye is one of the leading palliative medicine specialists in Austria. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Gudrun Kreye (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the course of the discussions about euthanasia in Austria, the tasks of palliative medicine always play a central role. Gudrun Kreye is one of the leading palliative medicine specialists in Austria. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 20.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria, and has been a full-time storyteller for 30 years.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Silvia Tschugg-Kaup<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Johannes Kaup (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFR \/\/ 30.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Johannes Kaup has been working for ORF for over 30 years and is one of the best journalists in the country – accordingly, he has already received several awards.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Daliah Spiegel<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Matteo Haitzmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 29.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In times of a global pandemic, stigmatisation of groups and ethnicities is a sad truth. One-sided reporting and cheap propaganda are feeding hate, exclusion and biased opinions about \u201cothers\u201d. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Phil Dera<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Martin Speer (DE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSA \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Social progress can only be achieved together. Martin Speer is convinced of that. Growing up in the state of Bavaria, he studied economics and communication science in the USA and Germany.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Franzi Kreis<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
MILLYCENT (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 18.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In her Solo-Project \u201eMILLYCENT\u201c Milly Groz transforms herself into a free floating bubbly energy ball, that surfs between the waves of popular music, dadaism and free tonality. Seemingly effortless she places her own songs between old disco hits. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hanna Fasching<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
My Ugly Clementine (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 31.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”This supergroup from Vienna is damn serious about one thing for sure: Having fun! MY UGLY CLEMENTINE brush off the dust from those 90s guitars you liked so much back then.Their post-punk approach is one of blending pop catchiness, mischievous guitar interplays and cheerful hooks, creating a remarkably fresh and elegant strain of indie rock.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Flyles Planet<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Opas Diandl (IT\/AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”2018 was a special year for Opas Diandl from South Tyrol, as they celebrated their ten-year anniversary. Ten years on stage for a group who found their place between Alpine traditions and all the other musical influences brought in by each individual musician, as well as their jaunty joy of playing, their charm and versatility.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Orjazztra Vienna - Christian Muthspiel (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 24.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Large jazz ensembles have become a rarity. One of the consequences of the decline in wages in the last decade has been the loss of a culture that has shaped the history of one of the greatest musical inventions of the 20th century:” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Hans Schagerl<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Scheibbser3er (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 25.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Scheibbser3er is a singing group from Scheibbs in Lower Austria. 3er because the singers Gudrun Schagerl, Elisabeth Handl and Gerda Hengstberger sing traditional yodellers and folk songs in three part harmony. They prefer wearing dirndls which doesn\u00b4t mean that they allow themselves to be forced into a corset.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Nina Keinrath<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Schmusechor (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Curtain up for the Smoochy Choir! Never heard of it? This is what \u2018Schmusechor\u2019 translates to. The glittering pop choir from Vienna takes their audience by storm with passion and vibe, affinity for cuddling, and a certain pinch of sex appeal. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Kidizin Sane<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Sketchbook Orchestra - Leo Skorupa (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 17.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Sketchbook Orchestra is an ensemble 14 members strong, established by saxophone and clarinet player Leonhard Skorupa. Conjuring up a wide musical horizon his compositions oscillate between boppy rhythms and convoluted Modernism. All Interpreted by a lineup of high-profile instrumentalists and soloists.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Anita Schmid<\/div><\/div>[\/vc_column][vc_column width=”1\/2″]Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Violetta Parisini (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 16.07.2021<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”“You don’t have to be invulnerable to be strong. Quite the opposite.“ The album “Alles Bleibt“ is a close-up of a crisis caused by the feeling of not functioning. And about overcoming it. Sober and clear in all her vulnerability, Violetta Parisini sings of a life that is unsettling and painful and yet entirely worth living. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column][vc_column_text]In alphabetischer Reihenfolge[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] SAT \/\/ 17.07.2021 [\/vc_column_text][vc_custom_heading text=”Anja Kirig (1977) has been working as a trend researcher for the Zukunftsinstitut (Future Institute) since 2004. Her lectures focus on the new lifestyles and their specific need structures. She explains and substantiates …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=9774"}],"version-history":[{"count":71,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions"}],"predecessor-version":[{"id":10457,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/9774\/revisions\/10457"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=9774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}