![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Am-17-Oktebruar.jpg\")
Am 17. Oktebruar (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSON \/\/ 07-14-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″]<\/i>more<\/span><\/a>[\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Cuncordu e Tenore de Orosei (IT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the huge panorama of vocal music in Sardinia, this group occupies a top level place for the peculiarities of its repertoire, which embraces both forms of the vocal tradition of Orosei: the secular one \u201ca tenore\u201d and the sacred one \u201ca cuncordu\u201d.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Cuncordu-e-tenore-de-orosei.jpg\")
\u00a9 Antonio Farris<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/David-Six.jpg\")
\u00a9Theresa Pewal<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]David Six (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”\u201cThe depth that David Six explores and uncovers in his piano music is highly impressive! Sitting across from comments of virtuosity, design and background, the source of \u2018real\u2019 music is conveyed!\u201d (Christoph Cech, composer) David (1985), grown up in a family rooted in Austrian Folk music, started out playing classical piano at the age of six.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ernst Reijseger (NL)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Born in Naarden (NL) in 1954, Reijseger started playing cello at the age of seven. At the Conservatory of Amsterdam his teacher Anner Bijlsma encouraged him to follow his own path in order to develop his musical vocabulary.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Ernst-Reijseger.jpg\")
\u00a9 Krijn van Noordwijk<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Golnar-Mahan.jpg\")
\u00a9Ina Aydogan<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Golnar & Mahan (IR)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-13-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Golnar Shahyar and Mahan Mirarab have been two inseparable musical partners since they first met in Vienna in 2011. They are songwriters who specialize in blending jazz with oriental folk elements, odd meter polyrhythms, Afro-Cuban music, etc and have created a new way of story telling in which the lyrics, mostly in Farsi, and the compositions go hand in hand. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Helmut-Wittmann.jpg\")
\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Hotel.jpg\")
\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Ille-Gebeshuber.jpg\")
\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Lena-Willemark.jpg\")
\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Love-tree-ensemble-1.jpg\")
\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Martin-Ptak-1.jpg\")
\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Neuberger-Wirtshaustrio.jpg\")
\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Konzertschrammel.jpg\")
\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Roland-Neuwirth_Radio-String-Quartet.jpg\")
\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Schrammel-und-die-Jazz-1.jpg\")
\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Shake-Stew-1.jpg\")
\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]![\"\"](\"http:\/\/2021.wellenklaenge.at\/wp-content\/uploads\/2019\/02\/Zsofia-Boros.jpg\")
\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Cuncordu e Tenore de Orosei (IT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”In the huge panorama of vocal music in Sardinia, this group occupies a top level place for the peculiarities of its repertoire, which embraces both forms of the vocal tradition of Orosei: the secular one \u201ca tenore\u201d and the sacred one \u201ca cuncordu\u201d.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Antonio Farris<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9Theresa Pewal<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]David Six (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”\u201cThe depth that David Six explores and uncovers in his piano music is highly impressive! Sitting across from comments of virtuosity, design and background, the source of \u2018real\u2019 music is conveyed!\u201d (Christoph Cech, composer) David (1985), grown up in a family rooted in Austrian Folk music, started out playing classical piano at the age of six.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ernst Reijseger (NL)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Born in Naarden (NL) in 1954, Reijseger started playing cello at the age of seven. At the Conservatory of Amsterdam his teacher Anner Bijlsma encouraged him to follow his own path in order to develop his musical vocabulary.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Krijn van Noordwijk<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9Ina Aydogan<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Golnar & Mahan (IR)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-13-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Golnar Shahyar and Mahan Mirarab have been two inseparable musical partners since they first met in Vienna in 2011. They are songwriters who specialize in blending jazz with oriental folk elements, odd meter polyrhythms, Afro-Cuban music, etc and have created a new way of story telling in which the lyrics, mostly in Farsi, and the compositions go hand in hand. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
David Six (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”\u201cThe depth that David Six explores and uncovers in his piano music is highly impressive! Sitting across from comments of virtuosity, design and background, the source of \u2018real\u2019 music is conveyed!\u201d (Christoph Cech, composer) David (1985), grown up in a family rooted in Austrian Folk music, started out playing classical piano at the age of six.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ernst Reijseger (NL)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Born in Naarden (NL) in 1954, Reijseger started playing cello at the age of seven. At the Conservatory of Amsterdam his teacher Anner Bijlsma encouraged him to follow his own path in order to develop his musical vocabulary.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Krijn van Noordwijk<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9Ina Aydogan<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Golnar & Mahan (IR)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-13-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Golnar Shahyar and Mahan Mirarab have been two inseparable musical partners since they first met in Vienna in 2011. They are songwriters who specialize in blending jazz with oriental folk elements, odd meter polyrhythms, Afro-Cuban music, etc and have created a new way of story telling in which the lyrics, mostly in Farsi, and the compositions go hand in hand. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Ernst Reijseger (NL)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-26-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Born in Naarden (NL) in 1954, Reijseger started playing cello at the age of seven. At the Conservatory of Amsterdam his teacher Anner Bijlsma encouraged him to follow his own path in order to develop his musical vocabulary.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Krijn van Noordwijk<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9Ina Aydogan<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Golnar & Mahan (IR)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-13-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Golnar Shahyar and Mahan Mirarab have been two inseparable musical partners since they first met in Vienna in 2011. They are songwriters who specialize in blending jazz with oriental folk elements, odd meter polyrhythms, Afro-Cuban music, etc and have created a new way of story telling in which the lyrics, mostly in Farsi, and the compositions go hand in hand. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Golnar & Mahan (IR)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-13-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Golnar Shahyar and Mahan Mirarab have been two inseparable musical partners since they first met in Vienna in 2011. They are songwriters who specialize in blending jazz with oriental folk elements, odd meter polyrhythms, Afro-Cuban music, etc and have created a new way of story telling in which the lyrics, mostly in Farsi, and the compositions go hand in hand. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Helmut Wittmann (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTUE \/\/ 07-16-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Helmut Wittmann, born in 1959, certified cinema operator, game inventor, castle secretary, book seller, writer, and farmhand lives in the Fischereck house at the foot of the legendary Kasberg mountain in Almtal valley, Upper Austria.” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Herbert Raffalt<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Julia Wesely<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hotel Palindrone (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-19-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For more than two decades the Austrian band HOTEL PALINDRONE has inspired critics and listeners. From Malysia to Spain, from Scotland to Lithuania, from Italy to Sweden, from Mexico to Greece, from France to India.” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Ille C. Gebeshuber (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nWED \/\/ 07-24-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Ille C. Gebeshuber is expert in Nanotechnology, Biomimetics and Tribology. Her approach to science is wide and holistic, and inherently trans- and interdisciplinary, bridging over to biology, the arts and the social sciences. 2017 she was elected ‘Austrian of the Year’ (m\/f) in the category ‘Research’. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Lukas Beck<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Mats Lefvert<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Lena Willemark (SE)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-27-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”For decades, Lena Willemark has been a central figure on the Swedish folk music scene, constantly crossing boundaries between musical genres as a vocalist. With her, she carries unique musical treasures that have been handed on to her by her masters.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Love Tree Ensemble (AT & Europa)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nFRI \/\/ 07-12-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Eleven outstanding musicians from all over Europe invite you to experience astonishing facets of European folk music in an extraordinary concert. After all, in 2018 Europe is celebrating its diverse cultural traditions \u2013 and the motto chosen by the EU is \u2018Sharing Heritage\u2019. ” font_container=”tag:p|text_align:right” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Ard Jongsma<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Severin Koller<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Martin Ptak (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-25-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”River Tales is the new album from Austrian composer, trombonist and pianist Martin Ptak. The album follows Martin\u2019s previous solo record, Twilight Street, released in 2012. River Tales is available now via celebrated classical\/compositional label Col Legno. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Neuberger Wirtshaustrio (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Traude, Hubert Holzer, and Martin Veitschegger are blood-related \u2013 and undeniably so! They started (un)intentionally in Neuberg in 2009, and have since been singing about dumplings, tranquil rural Sundays, about the Veitschers…” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Stephan Mussil<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Neue Wiener Concert Schrammeln (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”The Neuen Wiener Concert Schrammeln play Schrammel music in its most genuine form, yet in today\u2019s guise. Countless old \u201cWeana Tanz\u201c and Marches serve as inspiration and source for new work. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Roland Neuwirth & radio.string.quartet (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”It was 19 months and 4 days after Roland Neuwirth had retired from the stage (and from the Extremschrammeln) when a friend asked him to play one more time at the festival he was organising. ” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Koepp<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Clemens Fabry<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Schrammel & Die Jazz (AT)<\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSUN \/\/ 07-21-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Based on Peter Havlicek\u2019s CD that he published in 2013, the three instrumentalists explore the musical relationships and supplement rare duets of harmonica and violin with the contrasting profoundness of the contra guitar. ” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460562348{border-bottom-width: 1px !important;padding-top: 60px !important;padding-bottom: 60px !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1485445110690{padding-right: 40px !important;}” el_class=”vl-text-right”]Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Shake Stew (AT) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nSAT \/\/ 07-20-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”SHAKE STEW is Austria\u2018s jazz band of the hour. After playing more than 25 gigs during the first months since premiering at Jazzfestival Saalfelden 2016 and selling out their first record \u201eThe Golden Fang\u201c within half a year, …” font_container=”tag:p|text_align:right|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][vc_column width=”1\/2″]\u00a9 Andreas Waldschuetz<\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460568824{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″]\u00a9 Reinhard Winkler<\/div><\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”]Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Zs\u00f3fia Boros (HU) <\/strong><\/span><\/h3>[vc_column_text]<\/p>\nTHU \/\/ 07-18-2019<\/h6>\n
[\/vc_column_text][vc_custom_heading text=”Zs\u00f3fia Boros\u2019 guitar playing is subtle and restrained, accompanied by a melancholy grace. As the subtleness of her playing unfolds, the attentive listener perceives its quiet virtuosity. ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”30px”]<\/i>more<\/span><\/a>[\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” content_placement=”middle” css_animation=”fadeInDown” css=”.vc_custom_1518460554981{padding-top: 80px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1485445131304{padding-left: 40px !important;}”][vc_column_text] SON \/\/ 07-14-2019 [\/vc_column_text][vc_custom_heading text=”The soundscapes of Elisabeth Naske\u2019s new children\u2019s songs are diverse, imaginative, and colourful \u2013 like the pages of a picture book.” font_container=”tag:p|text_align:left|color:%23545551″ use_theme_fonts=”yes”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template-custom-page.php","meta":[],"_links":{"self":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409"}],"collection":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/comments?post=5409"}],"version-history":[{"count":55,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions"}],"predecessor-version":[{"id":7304,"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/pages\/5409\/revisions\/7304"}],"wp:attachment":[{"href":"http:\/\/2021.wellenklaenge.at\/en\/wp-json\/wp\/v2\/media?parent=5409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}